审阅范围 · Review scope
限定范围独立审阅。请保留正文中的出处与限制；不代表全库最终验收、实际演奏或学习效果验证。
Independent review within the stated scope. Keep the evidence and limitations stated in the text in view. This is not final corpus acceptance or validation of performance or learning outcomes.
发布状态。 本原创伴读的来源字段、计算与双语说明已通过独立审阅及最后的定点复核。下文的“候选稿／等待审阅”及数据文件中的候选状态保留为作者制作时点的记录。本次仅加此发布说明，未改原教材或补算缺失的中文对应物。实奏、动作适用性、声音、现代部件等价及教学效果仍未验证；相关工作译名继续保留限定。
Publication status. This original companion passed independent source-field, calculation and bilingual review, including the final focused recheck. Candidate/awaiting-review wording below and in the data retains its author-time status. Integration adds only this publication note; it neither edits the textbook nor fills missing source-Chinese counterparts. Performance, movement suitability, sound, modern-part equivalence and learning effects remain unvalidated; terminology qualifications remain in force.
如何读音阶表 / Reading the scale tables
【本库原创补充材料】数字是手指编号：1拇指、2食指、3中指、4无名指、5小指；RH是右手，LH是左手。它们不是音级号或节拍数。两张原表都只标“上行”：大调及和声小调。以下保留来源的数字，另外计算音名；没有从上行表推出下行指法、指间动作或普遍适用性。
[Our original supplement] Finger numbers mean 1 thumb, 2 index, 3 middle, 4 ring and 5 little finger. RH means right hand and LH left hand. They are not scale degrees or beat counts. Both source tables specify ascending scales: major and harmonic minor. The source digits are retained below while note spellings are calculated separately. Descending fingering, hand movements and universal suitability are not inferred.
大调采用半音步长2–2–1–2–2–2–1；自然小调为2–1–2–2–1–2–2。和声小调把自然小调的第七级升高一个半音，其步长成为2–1–2–2–1–3–1。先保留七个不同字母名，再决定升降；因此某些音必须用重升号，不能只用同一琴键的另一音名代替。
Major uses semitone steps 2–2–1–2–2–2–1; natural minor uses 2–1–2–2–1–2–2. Raising natural minor’s seventh degree by one semitone gives harmonic minor, 2–1–2–2–1–3–1. Preserve the seven letter names before assigning accidentals. Some notes therefore require a double sharp rather than a differently spelled name for the same equal-tempered key.
先看语境 / Check context first
- **C01，表1.1第1行右手：**原表末位是1；§29正文第5段明确讨论单八度时，末位是5。连续上行与在高端停下可能使用不同末指，但本表没有逐项注明终止条件。保留两种来源读法，不把8个数字统一改成单八度演奏处方。
- C01, Table 1.1, row 1, RH: the table ends in 1; §29 body paragraph 5 explicitly gives a one-octave pattern ending in 5. Continuing upward and stopping at the top can require different endings, but this table does not specify every stopping condition. Retain both readings rather than turning every eight-digit pattern into a one-octave prescription.
- **U01，表1.1第2行左手：**B大调原印11位数字
43214321321，其他印刷指法格均为8位。本轮不能确认这串数字的音域、排印意图或应删哪几位；不要把它强配到8个音。 - U01, Table 1.1, row 2, LH: B major prints eleven digits,
43214321321; all other printed fingering cells have eight. Its span, printing intent and any intended deletion remain unresolved. Do not force it onto eight notes. - **D01，表1.2第6行末列：**G♯自然小调第七级是F♯；升高半音后的和声小调第七级应为F𝄪。原表印F♯。这是原表音名问题，伴读的计算字段用F𝄪并保留原印读法；不是发现了一个中文误译格。
- D01, Table 1.2, row 6, last column: G♯ natural minor has F♯ as degree seven; raising it produces F𝄪 in harmonic minor. The source prints F♯. The authored calculation uses F𝄪 while retaining the source reading; this is a source-table spelling issue, not a discovered mistranslated Chinese cell.
大调映射 / Major-key mapping
表1.1，PDF实页72／页脚71。各行均为上行；数字列是来源读数。 / Table 1.1, physical page 72 / footer 71. All rows concern ascending motion; digit columns are source readings.
| 源行 / Row | 调 / Key | RH 来源 / Source | LH 来源 / Source | 调号 / Key signature |
|---|---|---|---|---|
| 1.1 R01 | C 大调 / major | 12312341 (C01) | 54321321 | 无升降记号 / no sharps/flats |
| 1.1 R01 | G 大调 / major | 12312341 (C01) | 54321321 | 1个升号 / 1 sharp |
| 1.1 R01 | D 大调 / major | 12312341 (C01) | 54321321 | 2个升号 / 2 sharps |
| 1.1 R01 | A 大调 / major | 12312341 (C01) | 54321321 | 3个升号 / 3 sharps |
| 1.1 R01 | E 大调 / major | 12312341 (C01) | 54321321 | 4个升号 / 4 sharps |
| 1.1 R02 | B 大调 / major | 12312341 | 43214321321 (U01) | 5个升号 / 5 sharps |
| 1.1 R03 | F 大调 / major | 12341231 | 54321321 | 1个降号 / 1 flat |
| 1.1 R04 | B♭ 大调 / major | 41231234 | 32143213 | 2个降号 / 2 flats |
| 1.1 R05 | E♭ 大调 / major | 31234123 | 32143213 | 3个降号 / 3 flats |
| 1.1 R06 | A♭ 大调 / major | 34123123 | 32143213 | 4个降号 / 4 flats |
| 1.1 R07 | D♭ 大调 / major | 23123412 | 32143213 | 5个降号 / 5 flats |
| 1.1 R08 | G♭ 大调 / major | 23412312 | 43213214 | 6个降号 / 6 flats |
和声小调映射 / Harmonic-minor mapping
表1.2末列先给自然小调调号的升降号数，再给和声小调升高后的第七级。后一个临时变化不要混入调号数。 / Table 1.2’s last column combines the natural-minor key-signature count with the raised seventh used in harmonic minor. Do not add that alteration to the key-signature count.
| 源行 / Row | 调 / Key | RH 来源 / Source | LH 来源 / Source | 调号 / Key signature | 第七级：自然→和声 / Seventh: natural→harmonic |
|---|---|---|---|---|---|
| 1.2 R01 | A 小调 / minor | 12312341 | 54321321 | 无升降记号 / no sharps/flats | G → G♯ |
| 1.2 R02 | E 小调 / minor | 12312341 | 54321321 | 1个升号 / 1 sharp | D → D♯ |
| 1.2 R03 | B 小调 / minor | 12312341 | 43214321 | 2个升号 / 2 sharps | A → A♯ |
| 1.2 R04 | F♯ 小调 / minor | 34123123 | 43213214 | 3个升号 / 3 sharps | E → E♯ |
| 1.2 R05 | C♯ 小调 / minor | 34123123 | 32143213 | 4个升号 / 4 sharps | B → B♯ |
| 1.2 R06 | G♯ 小调 / minor | 34123123 | 32143213 | 5个升号 / 5 sharps | F♯ → F𝄪；原印 / source F♯ (D01) |
| 1.2 R07 | D 小调 / minor | 12312341 | 54321321 | 1个降号 / 1 flat | C → C♯ |
| 1.2 R08 | G 小调 / minor | 12312341 | 54321321 | 2个降号 / 2 flats | F → F♯ |
| 1.2 R09 | C 小调 / minor | 12312341 | 54321321 | 3个降号 / 3 flats | B♭ → B |
| 1.2 R10 | F 小调 / minor | 12341231 | 54321321 | 4个降号 / 4 flats | E♭ → E |
| 1.2 R11 | B♭ 小调 / minor | 21231234 | 21321432 | 5个降号 / 5 flats | A♭ → A |
| 1.2 R12 | E♭ 小调 / minor | 31234123 | 21432132 | 6个降号 / 6 flats | D♭ → D |
【我们的纸面练习】选一个调，先写出七个音名，再把主音在高一个八度处重复，形成八个音的位置。检查这八个音之间的七次相邻步进各有几个半音，然后在纸上只对上右手或左手其中一列的印刷指法数字；B大调未决左手格暂不用于这个配对任务。一次只检查“音名”或“手指编号”即可。需要实弹时，音域、终止位置、前后乐句与个人动作条件须另外决定；本表没有完成这些验证。
[Our paper exercise] Choose one key, write its seven note names, then repeat the tonic one octave higher to form eight note positions. Check the sizes in semitones of the seven steps between them, then match one hand's printed fingering digits to those positions on paper; exclude the unresolved B-major LH entry from this matching task. Check note names or finger numbers one at a time. Actual playing additionally requires decisions about register, stopping point, surrounding phrases and individual movement; those have not been validated here.
结构化文件中的24条音阶音名按上述规则生成并检查；它们没有指定起始八度、速度、动作或每天重复次数。所有调号数与规则相符；12个和声小调升高音中，原表有上述1处差异。 / The 24 spelled scales in the structured file were generated and checked using these rules. They specify no starting octave, tempo, movement or daily repetition count. All key-signature counts agree with the rules; the source has the one raised-seventh discrepancy identified above among 12 harmonic-minor rows.